Kidman falls prey to bad hair daze in Destroyer
Movie review: Destroyer
By tugging at the fake-looking locks sported by Nicole Kidman in Karyn Kusama’s ode to L.A. Noir, our critic coughs up a tangled knot of endemic sexism, and a latent desire for a little more destruction from downer Destroyer.
The pain of Glass
Movie review: Glass
M. Night Shyamalan’s latest is a self-conscious collage of comic book form and personal conceit that talks down to the viewer as the director congratulates himself.
Mile 22: 22 miles a minute and going nowhere
Movie Review: Mile 22
Mark Wahlberg plays a black ops specialist who meets his match in Iko Uwais’s cop-turned-double agent in Mile 22, a thriller that stalks, but never closes for the kill.
Breaking In Casts Union as Bad-Ass Momma Bear
Capsule Movie Review: Breaking In
Gabrielle Union plays a mother embracing her grizzly side as she makes a desperate bid to free her two children from armed kidnappers in James McTiegue’s latest round of high velocity action.
Bad Samaritan Owes a Big Debt to Antonioni
Capsule Review: Bad Samaritan
Dean Devlin, the producer behind Independence Day, steals a page from the indie playbook with a hackneyed story about a young photographer who accidentally captures a sex crime through his lens in this baby Blow Up.
Beirut Blows Up Jon Hamm
Movie Review: Beirut
The star of Mad Men brokers his movie star stubble and complex male charms in Beirut, a big-screen thriller where human drama is perpetually pushed out of the frame by the bulldozer of political urgency.
Unsane Gets Under the Membrane
Movie review: Unsane
Steven Soderbergh brings a fisheye lens and a personality experiment to a thriller set in a psychiatric centre, where Claire Foy checks her crown for a hospital gown as Sawyer Valentini, an unwilling patient who believes her stalker is to blame.
Red Sparrow Flutters, Flaps, Finally Flies
Movie Review: Red Sparrow
Jennifer Lawrence has trouble with a Slavic accent, but she nails the emotional conflict and physicality of a ballet dancer turned sex spy in Francis Lawrence's Cold War thriller that feels like a return to the good old bad days