TIFF 9 results

22 July appeals to rule of law, not emotion

Movie Review: 22 July - New on Netflix Paul Greengrass’s restrained vérité treatment of the July 22 massacre at a Norwegian kids camp lassos truth of tragedy by showing us the banal face of evil and the chilling effect of fear.

Saoirse Ronan and Ian McEwan Find Broken Shell of Love On Chesil Beach

Movie Review: On Chesil Beach Saoirse Ronan takes on the role of another mysterious female force in this latest McEwan adaptation, which tells the story of two newlyweds who embark on their maiden voyage together, but an iceberg awaits.  

Mina Shum Gets Her Freaky Friday On

Interview: Mina Shum The Vancouver filmmaker always wanted to make a movie about how she and her mother are so different, and in her new movie Meditation Park, she reunites with Sandra Oh to make it happen. By Katherine Monk VANCOUVER — Mina Shum says she’s trying to be “a good Chinese daughter.” After a greeting at the door of the hotel suite, she ushers me to a seat, and checks to make sure the publicist is comfortable. The place is all too generic for a talk about the particular. With its creamy white walls and bleached white linens, the hotel room overlooking Vancouver’s downtown skyline is all postcard pretty, displaying snow-capped mountains and green-patina copper rooftops. Shum says she loves every corner of this coastal town, but her new movie Meditation Park is looking at a different view of the city she calls home. Set in the Eastside neighbourhood of Sunrise-Hastings, and focused on one family’s love-laden unravelling, Meditation Park stars Asian heavyweig...

Kathleen Hepburn Takes a Metaphorical Skinny Dip

Interview: Kathleen Hepburn The first-time feature director went back to the family cabin in northern B.C. -- and deep into the wilderness of mother-child dynamics -- in Never Steady, Never Still

TIFF diary: My day in Auditorium 12

Movies: #TIFF17 What's it like to spend the entire day in one cinema, watching whatever comes along? Jay Stone sets out to find out at the Toronto film festival By Jay Stone TORONTO — Today I decided to test the fates by spending the entire day in one movie theatre at the Toronto International Film Festival. Most of the press and industry screenings are held at the Scotiabank cinema on Richmond Street, and I chose Auditorium 12, for reasons that will become more obscure as we go on. The result was a kind of mini-film festival, with all the delights, disappointments — and meals of dry popcorn — that one associates with the glamorous life of the freelance film critic. This is what I saw: On Chesil Beach: The first film of the day in Auditorium 12 — which turns out to be the Imax theatre, so you get a nice big screen — is this adaptation of what is, frankly, a rather thin 2007 novella by the otherwise estimable Ian McEwan. It stars Saoirse Ronan (whose appearance in ...

William Oldroyd Finds Lady Macbeth’s Spot

Movies: Interview with Lady Macbeth director William Oldroyd Lady Macbeth is riding a wave of feminist revisionism that emerged with Margaret Atwood's The Penelopiad and crests with the forthcoming Ophelia, but director William Oldroyd says more women's stories should be told. Not just because they're full of drama. But female actors are available. They're better. They're also cheaper. By Katherine Monk In 1865, an author by the name of Nikolai Leskov picked up on something his contemporaries were doing. He revised Shakespearean drama for a Russian audience, playing with context but keeping the core of the character intact. Ivan Turgenev offered up Hamlet of the Shchigrovsky District in 1859, and Leskov published Lady Macbeth of the Mtsensk District — a bodice-ripping, bed-post gripping romance featuring a young woman in a loveless marriage. A century and a half later, we can see a similar trend emerging as filmmakers once more revamp Shakespeare, as well as other classics, ...

Oliver Stone says paranoia is par for the course

Movies: Snowden press conference at TIFF 16 The director and stars of Snowden say they now put bandaids over the cameras on their computers and have a new appreciation for what freedom really means By Katherine Monk TORONTO — It didn’t take long for Oliver Stone to affirm his public reputation for being a little paranoid, calling President Obama “the most efficient managers of the surveillance world,” pointing out the presence of “rockets 200 miles in space peeking in on us” and accusing the U.S. government of “lying all the time.” In other words, it was everything you could have wanted out of an Oliver Stone press conference. This time, the director of JFK and Nixon was speaking about Snowden, his latest feature screening at the Toronto International Film Festival starring Joseph Gordon-Levitt as whistleblower Edward Snowden and Shailene Woodley as girlfriend Lindsay Mills. “It’s out of control,” Stone said, citing Snowden’s own words from a recent ...

TIFF announces STUDIO slate

News: TIFF talent development A lucky dozen writer-directors get their hands metaphorically dirty with development sessions and skills workshops at this year's TIFF STUDIO programme By Katherine Monk “Writer-director” sounds good, but in the world of Canadian Film, it often means a hand-to-mouth existence without external support. The Toronto International Film Festival wants to change that, and this year, it refocused its STUDIO programme to assist writer-directors with a series of professional workshops designed to empower the nation’s storytellers. The monthly modules began Friday with sessions that include peer review, project development, packaging and talent, working with actors and casting agents as well as the requisite art of the pitch pep talk. “Since its launch in 2013, STUDIO has boasted immense success in readying Canadian producers for the global film industry,” said TIFF artistic director Cameron Bailey in an announcement released Monday. ...

Is Tom Hardy the best actor in the world?

The star of the new gangster drama Legend is a versatile actor whose roles range from the indomitable Mad Max the villainous Bane. Is there nothing he can't do? By Jay Stone   TORONTO — Tom Hardy might be the best actor of his generation.   He can do anything. He was the scary buff gangster in Bronson and then he was the scary but doomed hit man Ricki Tarr in Tinker, Tailor, Soldier Spy. Next thing you know, he’s Bane, the gigantic muscled villain in The Dark Knight Rises, growling through a leather mask. Hard to believe it was the same guy in Locke, a solo film about a man who’s responsible for the concrete in a British construction project, called away because a woman he once slept with is about to give birth to their child. Now he’s Bob, the compliant bartender in the gangster drama The Drop who turns out to be a guy you don’t want to screw around with. Then he’s the indomitable (but vulnerable!) hero in the post-apocalyptic desert in Mad Max: Fury ...