The Dead Don’t Die Doesn’t End Well
Movie review: The Dead Don’t Die
Jim Jarmusch’s send-up of horror tropes feels like a basic lesson in what zombie movies symbolize — a cultural descent into empty consumerism and brain-devouring distractions -- but little more.
Isle of Dogs Marks Wes Anderson’s Territory
Movie review: Isle of Dogs
There’s the heavy sigh of melancholy that defines Anderson’s whole oeuvre in this second stop-motion piece of animation, but as it howls at the loss of childhood innocence, it also recreates a little chunk of magic by hand.
