Toronto International FIlm Festiva 4 results

Sharkwater Extinction: A matter of death, and life, for the Stewarts

Movies: Sharkwater Extinction Shattered by their son Rob’s death in a diving accident, Sandy and Brian Stewart found inspiration in his message and turned pain into positive action by completing the film he died trying to make.

At #TIFF18, it’s all about the music

Movies: #TIFF18, Toronto International Film Festival The soundtrack of movies can leave you with the exhilaration of the dance floor, or bring you down into the existential angst of neo-noir By Jay Stone (September 8, 2018) TORONTO — There was a great moment at the movies this morning, near the end of Gloria Bell, Sebastian Lelio’s English-language remake of his own 2013 drama Gloria. Julianne Moore, replacing Chilean actress Paulina Garcia in the original, stars as a 50ish divorcee — are they still called that? — who has a productive but somewhat lonely life that she spices up by going to dance clubs and letting herself get lost in the candy sounds of disco. A romance with a divorced man (John Turturro), who seems not quite totally divorced, disrupts her balance, but in the final scene, we see Moore back on the dance floor, raising her arms and swaying from side to side as Laura Branigan sings the old hit Gloria. You can sometimes forget the importance of music in ...

#TIFF18 Top Ten to look for at a theatre near you

Movies: #TIFF18, Toronto International Film Festival On his 25th anniversary of covering the Toronto film festival, a critic decides he is ready for the quieter side of cinema.

Battle of the Sexes Rages On

Movies: TIFF17 Stories about strong women continue to struggle for popular approval while movies about middle-aged men absorbed in their own search for success are celebrated for brave storytelling By Katherine Monk TORONTO (September 11, 2017) — Battle of the Sexes is the title of one of the bigger buzz movies at this year’s Toronto International Film Festival, but four days into this exhaustive and exhausting celebration of cinema, it may as well be a central theme. On one side, the festival is showcasing films featuring strong women with the courage to pursue their dreams. On the other, it’s awash in the insecurities of middle-aged men terrified by the prospect of being forgotten. Or, worse yet, being altogether average. Maybe it was just the course of my day that kicked off with the press and industry screening for Valerie Faris and Jonathan Dayton’s take on the famous 1973 tennis match between Bobby Riggs and Billie Jean King. I thoroughly enjoyed their period ...